Basic Color Grading: Bernd Gareis                    DOP                                         www.berndgareis.de Niels Giehl                        Filmmaker                                 www.acamnetwork.com Markus Ilschner               Cam-assistant/DIT                    www.crew-united.com Bodo B. Klemz                 Editor/Trainer                             http://bbklemz.de Lutz Konermann              Filmmaker/Professor                 www.konermann.net Thomas Lüdemann         Sounddesigner Tobias Mennle                 Director/DOP                            IMDB Thomas Papadhimas      Filmmaker Florian Schaipp                DOP                                          IMDB Anna Schambortski         Editor/DOP                               Crew-United Sebastian Schlender       Filmmaker                                 Crew-United Roland Seppi Gulnara Thielscher         Editor                                          Crew-United Wachter Tobias               Filmmaker                                  www.filmfabrik.tv Miriam Farnung             Mediadesigner                            ...

Awards Musicvideo “Big Mama”, directed by KRONCK and gradet by colorist Andreas Brueckl wins: Great Lakes Film Festival Yosemite Film Festival San Francisco Frozen Festival Deep Fried Film Festival 15 Minutes of Fame The Indie Gathering Porto7 The Indie Gathering Mexico Int’l Film Festival The german TV series “Dahoam is Dahoam” wins the Bavarian TV Award. I developed the look.

Beside his passion for colorgrading, Andreas can be booked for trainings and to develop workflows. He supported various facilities to build up or to improve their grading department. Some of the issues he can help you with: - communication guidelines with customers - internal planning and workflows - training and workshops - training colorists (colourists) References: Bavarian Broadcast Company (BR): - training 150 editors in HD knowledge and workflows - set up colorgrading workflows and looks for several tv-shows and daily soaps - consultant for Arri Alexa workflows for rushes and final grading (e.g. München 7) D-Facto-Motion customer consultant for digital workflows (RED/Alexa) managing the SAN installation with resellers develop the right workflow for film ...

Andreas Brueckl is founder of the Colormeup! academy and one of Europes “young wild colorists”. He’s one of the most experienced DI-colorgrading artists in Europe and specialised in DI-Workflows. Since 2008 he also works as instructor for colorgrading, RED-and Alexa-workflows and as Set-Color-Supervisor. Meanwhile Andreas is booked worldwide as colorist because of his outstanding gradings. Andreas:” I was in the lucky situation to learn from highly experienced Telecine artists who did this job for more than 40 years. Everythime I tried to use the secondary correction on a DaVinci, I got rap on my knuckles so I had to do a perfect ...

Some tutorials by colorist Andreas Brueckl Stay updated, become a Fan on Facebook: https://www.facebook.com/colormeup New Tutorial soon: Grading and compositing for beauty and fashion jobs. ———————————————————————————————————————————————————- For all people who think “Orange and teal” or the so called “Blockbusterlook” was developed in Hollywood. Goethe was first Example of “Orange and teal”: The last Airbender ———————————————————————————————————————————————————- Further below you can see the simple scheme of the DI workflow with Alexa and RED cameras. This is the addition for massive VFX shots (e.g. for features). As you can see, grading plays a major part in creating rushes for the edit, creating LUTs for the VFX department and taking the ...

  I gradet this TVC in September 2011 with director Antony Hoffman. It was shot on 5D Mark II and I didn’t use to many secondaries. As Antony said: “Everything is in the footage…just make it natural”. The “Hero” is cycling through the ages and the grading defines the time. TVC “Pilsner Tour – Tour de Force” from Andreas Brueckl on Vimeo. Director: Antony Hoffman Colorist: Andreas Brueckl More infos: www.colormeup.de or info@colormeup.de ——————————————————————————————————————————————————— Digiturk Directors Cut from Andreas Brueckl on Vimeo. ——————————————————————————————————————————————————— TVC: Digiturk from Andreas Brueckl on Vimeo. ——————————————————————————————————————————————————— TVC2: Digiturk from Andreas Brueckl on Vimeo. ——————————————————————————————————————————————————— Trendyol TVC from Andreas Brueckl on Vimeo. Director: Tolga Dilsiz Colorist: Andreas Brueckl For worldwide bookings: info@colormeup.de Become ...

January 2012: Film-TV-Video published a test about Assimilate Scratch 6. In the article they mentioned Andreas’ tutorials: read here December 2011: German newspaper article about DI colorist Andreas Brueckl: read here October 2011: Andreas  supported a Assimilate SCRATCH case-study about Imaj in Istanbul: read here March 2011: German case-study about Nvidia and DaVinci Resolve: read here Assimilate newsletter features Andreas tutorials: read here 2010 The german PC MAGAZIN released an article about Color Grading. Andreas Brueckl supported them as specialist: pc_magazin  

2012:   May 2012 The last month have really been exciting. After offers from Korea, India, Germany and China, Andreas has signed as new senior colorist at 1000Volt Istanbul. “1000Volt” is an amazing post facility and probably the most trendy one in Istanbul. Quality is a number one rule and beside this people are smiling. So it was an easy decision for me.” March/April 2012 Not even started and already two grading projects at 1000Volt. This will be a busy month! 4 days training for the ORF, Austrian television DaVinci training at Arri Munich Scratch training and color supervising for Juan Carlos Ortiz who was part of the “Pirates ...

Cengiz Çilek More than 15 years experience in the production and post production world, He worked as Online editor and Post production supervisor also as VFX artist for number of feature film  and commercial projects. He has the experience both on set and in post production. He has been and Avid DS operator and Avid DS ACSR for a long period of time. With the Stereoscopic technology spreading, he merged his knowledge of both worlds and began producing, supervising S3D projects. He worked as supervisor and stereographer in S3D projects including commercials, feature films and live sports ...

Watch the SCRATCH tutorial on youtube: “the silver look”